Z e n j u n g l e
Tenor and soprano saxophones, synths, piano, percussion. "Improvisation is the main aspect in my work whenever I play the sax or the piano. I never know where the sound will lead me till I start playing.
For me sound is a journey, I don't want to use standard methods, I always want to try new things, change my style. Working with Tunedin52 I started to get deeper into sound experiments. I still smile when I remember the day I sent to him my part for the 'knot' song. He listened to it and then I explained to him the process. I started playing with my woodwinds, some percussion etc, and then I recorded all the stuff that I found on my desk before going to the kitchen and recorded whatever was in front of me. When I told that to John he said that he had done the same thing. Till that time none of us knew. We had passed all these sounds through filters so none of us could understand where they came from. We communicate really well. The inner orbits album is important to us, because it mostly contains the first tracks that we did together. It reflects our collaboration, our friendship, our communication and our love for music." http://soundcloud.com/filgardel
T u n e d i n 5 2
Guitar, loopstation, ebow, delays, Gleetchlab, field recordings, percussion. "I have a love for many different types of music, but I only say that because I think the majority of people listen to music through type or genre. I do not, but I want anyone who reads this to understand my interests and motivation. So really for me it's all just sound. I have listened to a world of sound - all jazz, modern classical, psychedelic rock, traditional music from other cultures and all facets of house music but I have a free approach to creating sounds - source can be anything, tuning variable, rhythm off-kilter with an improvised melody. I will discover something and pursue it for a while - explore the possibilities and enjoy the results. A lot of the time I forget how I made the sounds and wonder how I composed such pieces. Working with Zenjungle has added a new level of intrigue into the creative process - I never know what his response might be. Some day we may play live but we know that we could never play what we have recorded - improvisation is a key element in our process. I do struggle with the idea of playing a prepared piece of music - though I enjoy playing guitar to my partner's singing of a traditional folk song. I'm not sure how many times I would enjoy such a performance but we only play when we are having fun." http://soundcloud.com/tunedin52
T r o y S c h a f e r
As a composer, performer and listener, I try to be aware of this idea as much as possible, though it is constantly changing within me.
The music I create is a collection of channeled sounds that existed in some form or other, long before it passed through me.
(photo by Dani Dahlke)
http://troyallenschafer.bandcamp.com/
H e d d y B o u b a k e r
B r u n o C a p e l l e
Aime depuis quelques années s’impliquer physiquement dans des performances au sein de dispositifs, installations sonores qu’il réalise.
Abandonnant le format du concert de type frontal, il propose au public d’entrer dans ces espaces habités, souvent intimes, pour venir partager une expérience artistique provoquée par les murmures, les chuchotements de sa musique. http://brunocapelle.wordpress.com/ http://soundcloud.com/brunocapelle
PSTR SLL
http://www.discogs.com/artist/Josh+Milk
A l e x I s c h e n k a u
http://www.discogs.com/artist/Alex+Usiel+Ischenkau http://genetic-trance.jimdo.com/
C o n s i s t e n c y N a t u r e aka Dishdawash
M é r y l l A m p e
An artist with protean talents, Méryll Ampe sets out bridges between sound and sculpture by establishing her work on the notion of incorporeality.
In her sound artworks she fiddles and carves out of sounds collected in the everyday life, immersing her audience into a sphere of landscapes, textures and lightness.
http://soundcloud.com/ryll-1
M i c h a e l H a f f t k a
Y o n a t H a f f t k a
http://www.feedingoats.com http://www.hafftka.com
D e e p M a n
"ma musique,je la dois avant tout a mes influences,qui vont de Jimi Hendrix à Primus , Pink Floyd, Bob Marley, G-love and Special Sauce, Rainer, Cypress Hill, Amon Tobin, Prodigy, Ozric Tentacles, etc..............
L'utilisation de matériel léger me permet d'exprimer feeling et groove. "
http://soundcloud.com/deepman1
Z r e e n T o y z
After few years in classical training on piano and percussions, at the beginning of the 70's he turns quickly to the improvised musics after his meetings with Herman Poole Blount, more known under the name of Sun Ra, and the abstract electronic scenes in Berlin. Since his first pieces created in 1970, he works the sound material following inspiration of the moment, a raw and instinctive approach by stratification where any imperfection or sound incident become a harshness on which to hang on atmospheres or reflections. In this way, he creates impalpable and timeless landscapes where vibrations, noises, and collages erase the structure of the piece. http://zreentoyz.blogspot.com/ https://www.facebook.com/pages/Zreen-Toyz/187568951273681
F r e d r i k N i l s s o n "Metek"
METEK released 80 albums and around 50 collaboration-works with artists like Mlehst, Telepherique, N.Strahl.N, Jliat, Martin Nordbeck, Fat Legs, Chefkirk, Soma, ToBo and NRYY.
About my collaborations : I have done huge compilations and mixes for "SwampParties". With friends, I spent nights at our nearby swamp and played some music on a quite large "boombox". I kept it very abstract but still with edge, and it's actually hard to find music like that. I spent much time on searching it… and, at the same period, I discovered Zreen Toyz and artists like Control Z, M.Nomized and Troj. And now, I am working with them… http://www.myspace.com/metektheone http://www.discogs.com/artist/METEK+%283%29
A n d r e a A r c e l l a
Andrea Arcella’s education and professional activity have been dedicated to investigate the connection between music and science. He graduated both in Physics and in Electronic Music. His professional experience includes many years of researching and teaching of Computer Music in High Schools, Universities (“Federico II”, “Università Orientale” - Naples) and Conservatories (Naples and Salerno). His papers were published in international symposia (CIM, UCM, CITE). His compositions, both acousmatics and live electronics, were performed in international festival of contemporary music (Dissonanzen, Altera, Di_Stanze, Terra delle Risonanze, Policentrica, Emufest) and broadcasted by radio.
www.sedicitonnellate.com http://soundcloud.com/andrea-arcella
C l a u d i o N u ñ e z
Extensive discography available in the net: 7 albums on clinical archives (rusia), 4 albums on wr recordings (belgium), 3 albums on acustronica (italy) & 1 on ruidemos (spain).
B o b T a v i s
"I have always had a passion for electronic music since I was a teenager. I built a small home studio with some very basic materials including a two tape recorders, test oscillators, a Farfisa and a Hammond organ, a spring reverb and tape delay echo unit. I was enamored at the time with the work of Musique Concrete and the work of Iannis Xenakis, Pierre Henry and Pierre Schafer. I also was intrigued by the work being done then at the Columbia Princeton Electronic Music Center under the direction of Vladimir Ussachevsky. I even sent some of my work to him which he graciously critiqued and suggested I contact Bob Moog whom at the time I had never heard of.
Subsequently I met Bob Moog and became fascinated with hardware synthesizers. My first synth was a Micro Moog that was not even midi enabled but did have that unique Moog sound. I then started to build a midi synthesizer studio with the addition of a Prophet 600, Yamaha TX7, Korg DW 8000, and several other synths and processing equipment. With an early DOS version of Cakewalk and a notation program called Personal Composer I started doing commercial work and did so as a supplement to my day job as a video tape editor working in an avante garde media center. Eventually hardware synths took over an entire room in my house and I was looking to find a more economical and convenient way to continue doing my music. That is when I found out about soft synths. I had been working with computers since the early 1980’s so making the transition was not a problem. I gave away or sold all of my hardware and built an entire studio in my computer and freed up a room in the process. But even with the most modern software I still had that desire to revisit the early years of electronic music when it was so enticing and fascinating to me. My music now embraces all of that but done with my own interpretation. I owe a great deal to the great electronic pioneers of the past like Louis and Bebe Barron who did the sound track to Forbidden Planet, Morton Subotnick who did amazing work with the Buchla synthesizer, Ilhan Mimaroglu, Bulent Arel (both from the Columbia Princeton Electronic Music Center), Oskar Sala’s work with Mixtur Trautonium and so many other great musical visionaries. I think that now the greatest resource for a musician is the Internet. It allows access to music from all over the world; connects musicians in ways that were never possible before, and provides a universal venue for distributing music. And as elusive as it has always been it seems that now the future is already here. In the last year I have been co-developing VSTi’s with Boris Kovalev. We have two synths available for PC’s and information can be found here: http://m-rgt.com/index.html . To listen to more of my music on SoundCloud go here: http://soundcloud.com/bobbotov "
S e a n D e r r i c k C o o p e r M a r q u a r d t
Born in Chicago (USA), now living in Berlin, is a performance artist, musician, free improvisator and composer of experimental music and founder curator of Friends of Sagittarius.
His solar and absolute free compositions are performed and recorded live using the accidental guitar method.
http://www.myspace.com/seandcmarquardt http://www.avachorda.de/sean-derrick-cooper-marquardt/ facebook page
M o o n s u g a r
Teacher of music, composer, pianist, musical critic. But more correct to think I'm between these directions and in couple of ones. I'm living at small town at Southern Ural, Russia. My musical experiments had started at 1999 from Jazz/Punk Rock, but this was not good idea for me and I had started my personal project - Moonsugar.- Drone/Ritual Ambient project which step by step transformed to electroacoustical avantgarde. Sometimes I re-record piano miniatures as albums parallel with electronics. What will be in future? I don't know yet... http://moonsugarthedark.tumblr.com/
A n t r o p i k
Initially, Antropik is a self-taught sound maker exploring the relationship between image and sound for his own experimental films and installations works. After performing electronic music in many genres, the project focuses now on very slow ambiences, beatless and progressive tracks in concern of deepness and physicality of sound. http://soundcloud.com/antropik http://antropik.bandcamp.com/ http://antropiksounds.blogspot.com/
J a i m e R o d r i g u e z M a t o s "Rodzmatos"
Jaime Rodríguez Matos is a guitar player and a soundscaping artist. Abzu records have released his most resent work, a set of improvised duets (http://www.cdbaby.com/cd/various576). His electroacoustic work is most often signed as Rodzmatos and has been featured in CNCPTN magazine (http://cncptn.com/post/9378533451/rodzmatos-intonations-from-another-room). In 2011, Pandafuzz released two collections of his work under that name (http://www.pandafuzz.com/pf031, and http://www.pandafuzz.com/pf029)
A n d r é D.
André D. bassiste, compositeur j'apprend la théorie musicale et l'art de l'improvisation en autodidacte, après de multiples expériences (dans des styles variés) tant en groupes qu'en solo, je fonde en 2011 Darius Improvise une entité musicale ayant pour vocation de créer et faire entendre des projets de musique atonale, bruitiste ou expérimentale aux accents free-jazz et contemporain. Adepte de l'improvisation libre, de la composition spontanée et stochastique, je m'échine au travers de collaboration ou de performance solo à nouer un dialogue sans fard avec l'auditeur. http://dariusimprovise.blogspot.com/ http://www.soun-music.com/membre/darius#/membre/darius
Anthon"U s h e r"Shield
Anthon « Usher » SHIELD is born in France at the end of the sixties. At the age of 5, some relative gave him a plastic guitar with a Beatles sticker on it. Curse or benediction, he formed his first band at age 14. Then he worked for 30 years on many rock bands and electronic bands such as: Coit Bergman, Norma Loy(www.normaloy.net), DZ Lectric & Anthon Shield, DIE PUPPE (www.myspace.com/diepuppe1) and very lately APPAREIL(www.myspace.com/appareil1) and made many concerts with Norma Loy in Praha, Torino, Geneve, Paris, Toronto and Bruxelles. Solo career: experimenting further more with electronics and releasing several tapes Musiques Cruelles, Le Bleu Du Ciel, La Fraternité. Collaborative works with Mnomized, Wehwalt, Jenn Module, Zreen Toyz, Susanne Hafenser, Sonorefiction...
Ø y s t e i n J ø r g e n s e n
My name is Øystein Jørgensen (Q), Music Producer/Sound Designer from Norway.
My styles: Ambient (Dark and Drone), Noise, Electro, Experimental... (my tracks can be very deep, so good headphones or good speakers works best!)
http://soundcloud.com/oystein-jorgensen https://oysteinjorgensenmusic.wordpress.com/ http://turmoilmusic.com/profile/oysteinJorgensen http://www.facebook.com/ambientfabric?sk=wall
W i l h e l m M a t t h i e s
Wilhelm Matthies, based in Kenosha, Wisconsin, focuses on developing home made instruments blending ideas from various world instruments. The purpose is to open performance possibilities that tap into such histories yet reveal the newness of the instrument and the new performance situation. He is, at the same time, developing compositional strategies that both accommodate the non-standard tuning, sonic qualities and playing characteristics of these instruments but also allow other players to participate with the musical intent using relatively standard instruments. The composed improvisations feature cyclical variations. This compositional strategy thus allows the music to be written, performed, edited and listened to on many metaphoric levels, but always dealing with aspects of the theme of eternal return or impermanence. http://soundcloud.com/wilhelm-matthies
S a m u e l I s m a e l U f f u s
PARLAMENTOL is the second "solo" album by Samuel Ismael Cisma Uffus, after "shambalah" with Cage Cabarrett" http://www.archive.org/details/SamuelUffusCageCabarrett-shambalaShambala that have passed on bbc radio 6 http://www.bbc.co.uk/programmes/b01694t6. Before samuel ismael was playing with projects like Engenho (drums + electronica) Xarhope (collage of all kinds of music) tonturas ensemble (bad jazz avant punk) and Shagara Olaeia (free folk) presently is resident musician at CASA AMARELA, a squated art space in oporto, portugal. this christmas he is going to "são domingos de rana" to meet "Adama é um Castor".
S u n i l A n a n d a t h e e r t h a
Inventor, developer and player of 'Saraswati Guitar Veena' on great tanams in Carnatic Classical Music. Tanam is an improvisational art form in carnatic classical music which mellifluously blends and assembles together, the beauty of raaga bhaava, melody, rhythm and time: a highly rythmic exposition of a raga. The reason for developing Saraswati Guitar Veena is to take guitar a few steps closer to saraswati veena.
https://sites.google.com/site/saraswatiguitarveena/carnatic-classical-music http://soundcloud.com/sunilanandatheertha
M a r c o L u c c h i
Marco Lucchi is a mellow and mature artist. He loves and releases eclectic music that goes from classical, post-classical, acoustic and electro. His fav instrument is the mellotron.
www.musichevirtuali.org, http://marcolucchi.bandcamp.com/, www.webbedhandrecords.com
F r a n c e s c o f u z z B r a s i n i
T a k u y a M i n a k a w a "t t - v o x"
My name is Takuya Minakawa, Japan, active in the "tt-vox". I have been focusing on making experimental music and in music video. http://tt-vox.com/ http://soundcloud.com/tt-vox http://soundcloud.com/takuya-minakawa http://www.myspace.com/ttvox http://www.facebook.com/takuya.minakawa
trio G M C
"GMC s'est formé en octobre 2010 autour de Christophe Meulien (guitare), Corinne et Georges Montanard (basse, batterie). Si les influences sont diverses, l'enracinement free jazz et la passion de l'improvisation ne font aucun doute dans leur démarche ; ainsi se succèdent des pièces intenses où l'impromptu célèbre la puissance de l'instant : la musique devient émotion brute, énergie vitale, affranchie de tout académisme, artifice et préméditation." http://www.ellipse753.net
E r i c D e l s i n e
eric in the kitchen is the solo project of Eric Delsine combining his love for songwriting (his indie-rock band ViewMaster) with his interest in sound experimentation, improvisation and noise which can be heard in his other project Foraky with Lorsen (a.k.a. Slo-blo). Foraky sounds are made with freedom, noise, shoegaze, drones, various experimentations, field recordings are the rules: it’s a bit like the sound of the coal mine and the gas blast!
http://www.myspace.com/foraky www.myspace.com/ericinthekitchen www.paperheartmusic.net
N i k o D e c k
experimentateur en noise, live impro, aime torturer ses guitares avec toute sortes d'objets contendants sur de longues pistes hypnotiques... forme le duo "Karambolage" avec Lorsen.
contact: nicodeck2000@yahoo.fr
L o r e n z o L o r s e n "Slo-Blo"
Since early 90' , 2001 master class with Keith Rowe (AMM), 2005 played in « An angel move too fast to see » (Rhys Chatm), coordinator/musician for the home-concerts "Lorsen's Tapes Sessions", in Belgium.
Genre : Psyke / Ambient / drone / noise / post rock
To contact Slo-blo : myspace.com/lorsen
U n i t é A s t r o n o m i q u e
Je suis unité astronomique, pour le moment mon moyen de mesure est le saxophone alto. J'aime rencontrer des musiciens sympathiques pour jouer avec eux mais aussi pour faire d'agréables repas, boire du bon vin, discuter, se promener, surfer ou couper du bois. Pimplof fait partie de ces personnes la.
F a b i o M i n a r d i
My name is Fabio Minardi. “FMcontrol”, (sound engineer, new synthesis researcher and experimental sounds programmer)
http://www.myspace.com/elixirfm
http://soundcloud.com/elixirfm
https://www.facebook.com/pages/FMcontrol-Sound
R o s e n d o J R o c h a
A Coruña, Spanish State, 1973. Guitar and voice since the 90's in Mol, hardcore band. Member of free improvisation duo Proxecto Minamata. NetLab contributor.
http://www.facebook.com/rosendo.javier.rocha
http://www.facebook.com/mol.hardcore
http://www.facebook.com/proxectominamata
http://www.facebook.com/netcollab
L e R o u g e
Beaucoup de musiciens sont tentés de parler du matériel qu'ils emploient pour élaborer leurs morceaux. LeRouge n'adhère pas à cette "course à l'armement", à ce "concours obsène"... Aujourd'hui encore farouche artisan de ses samples, démarche garante de son identité sonore, il est au carrefour des musiques minimalistes, concrêtes, électro-acoustiques, électroniques, et bien d'autres expressions libres..."L'art s'exprime au mieux dans le drame, l'introspection, la contemplation et pas dans le bonheur béat... D'où mon expression musicale."C'est donc sans concessions qu'il nous offre sa musique dépourvue des facilités de notre époque tout en travaillant différents styles à travers de nombreuses collaborations musicales réussies.
"Musique pour la Liberté quoiqu'en pensent les « hadopiens »!"
http://lerouge.magicrpm.com/
P i m p l o f
Pimplof (en partie autodidacte), découvre la musique dans sa diversité, au travers de rencontres, de concerts et de disques. À la guitare, il s’intéresse à divers styles, au jazz, à la musique classique, pour se consacrer, au fil du temps, essentiellement à l’improvisation libre. En 2005, il rencontre Barre Philips, et participe aux ateliers organisés chaque mois par ce grand musicien au Bleu-Bœuf à Puget-Ville. D’autres rencontres importantes suivront : Henri Roger et le So-what, Philippe Festou et le Sound-painting… Il participe à divers projets avec Alain de Fombelle Jean Pezzali et Henri Roger, Lerouge, J-P Capes et Maria Petrova, le trio GMC avec Georges et Corinne Montanard, Antoine Ullman et Ophélie Brunet, Pascal Vandenheuvel, autour de l'improvisation musicale, graphique ou chorégraphique. Il pratique également le solo acoustique, ou électrique ." Pour la démarche , peut-être quelques citations:"Voyage raté ? Ils m'avaient dit de venir à Los Angeles Mais j'ai échoué à Sacramento"Kenneth White/"Laissons les sons être ce qu'ils sont."John CAGE/"L"improvisation ,ça ne s'improvise pas "JF Pauvros"
page facebook PIMPLOF
audioblog arte PIMPLOF
myspace
M i c h a e l F r i e s k e
The works of the german artist Michael Frieske (aka \f:stYle or friestyle: sound artist and experimental painter) consciously withdraw themselves, both in the visual and within the auditive array, from clear definitions and do not commit to rigid dogmas or standards. therefore they can open a wide spectrum of expression. The groundwork of his art is the experimenting and improvising with colors and sounds and the use of coincidence as a conscious stylistic device. Because in his view it is the unpredictability, which develops new structures again and again.
http://friestyle.tk
http://soundcloud.com/friestyle
F e l i p e B a r b o s a
Born in 1979, Felipe Barbosa is simply a human being who loves to play with sounds, but with a very unique way of feel. "Kyodake"is an introspective and at a time powerful EP!
http://soundcloud.com/a-e-g-i-r
http://soundcloud.com/felipe-barbosa
http://www.youtube.com/user/Aegir79
A r t o h
Artoh lives in St Etienne (F) and working alone or together on different projects ("les Free son des iris sons", with Christophe Meulien and Picola Naine, live project/ netcollaboration with LeRouge on "Mélantopie"). Originally attracted by the video and editing, he jumped very quickly and naturally in sounding. Starting yesterday "sound packages" with samples and midi keyboard, he now works his compositions with rough concrete recordings. His concrete tracks combine collage and jubilant sense of the dramatic sound from which emerges an intense creativity, free of form.
http://soundcloud.com/artoh
http://www.soun-music.com/membre/artoh/mur#/membre/artoh/musique
http://www.youtube.com/user/jeanphilippecapes
http://www.myspace.com/lesfreesondesirissons
P a u l o C h a g a s
S o n o r e F i c t i o n
Contemplator, multi influences musician (free-jazz, ethnic music, indie rock, concrete's music, minimal, blues...) involved for more than 15 years in many live projects so different as irish folk, afrocub conjunto, punk rock, and now behind BruitsNetlabel...
Looking for "art brut" signs all over my way for a long time, i try to compose ambient music as my first audio experience, without any theoric knowledge view point, but to feel free. all infos!
rss feed bruitsnetlabel releases
Pimplof (en partie autodidacte), découvre la musique dans sa diversité, au travers de rencontres, de concerts et de disques. À la guitare, il s’intéresse à divers styles, au jazz, à la musique classique, pour se consacrer, au fil du temps, essentiellement à l’improvisation libre. En 2005, il rencontre Barre Philips, et participe aux ateliers organisés chaque mois par ce grand musicien au Bleu-Bœuf à Puget-Ville. D’autres rencontres importantes suivront : Henri Roger et le So-what, Philippe Festou et le Sound-painting… Il participe à divers projets avec Alain de Fombelle Jean Pezzali et Henri Roger, Lerouge, J-P Capes et Maria Petrova, le trio GMC avec Georges et Corinne Montanard, Antoine Ullman et Ophélie Brunet, Pascal Vandenheuvel, autour de l'improvisation musicale, graphique ou chorégraphique. Il pratique également le solo acoustique, ou électrique ." Pour la démarche , peut-être quelques citations:"Voyage raté ? Ils m'avaient dit de venir à Los Angeles Mais j'ai échoué à Sacramento"Kenneth White/"Laissons les sons être ce qu'ils sont."John CAGE/"L"improvisation ,ça ne s'improvise pas "JF Pauvros"
page facebook PIMPLOF
audioblog arte PIMPLOF
myspace
M i c h a e l F r i e s k e
The works of the german artist Michael Frieske (aka \f:stYle or friestyle: sound artist and experimental painter) consciously withdraw themselves, both in the visual and within the auditive array, from clear definitions and do not commit to rigid dogmas or standards. therefore they can open a wide spectrum of expression. The groundwork of his art is the experimenting and improvising with colors and sounds and the use of coincidence as a conscious stylistic device. Because in his view it is the unpredictability, which develops new structures again and again.
http://friestyle.tk
http://soundcloud.com/friestyle
Born in 1979, Felipe Barbosa is simply a human being who loves to play with sounds, but with a very unique way of feel. "Kyodake"is an introspective and at a time powerful EP!
http://soundcloud.com/a-e-g-i-r
http://soundcloud.com/felipe-barbosa
http://www.youtube.com/user/Aegir79
A r t o h
Artoh lives in St Etienne (F) and working alone or together on different projects ("les Free son des iris sons", with Christophe Meulien and Picola Naine, live project/ netcollaboration with LeRouge on "Mélantopie"). Originally attracted by the video and editing, he jumped very quickly and naturally in sounding. Starting yesterday "sound packages" with samples and midi keyboard, he now works his compositions with rough concrete recordings. His concrete tracks combine collage and jubilant sense of the dramatic sound from which emerges an intense creativity, free of form.
http://soundcloud.com/artoh
http://www.soun-music.com/membre/artoh/mur#/membre/artoh/musique
http://www.youtube.com/user/jeanphilippecapes
http://www.myspace.com/lesfreesondesirissons
P a u l o C h a g a s
Composer, music teacher and multi-instrumentist. He has dedicated his intervention to several strands of contemporary music, electro-acoustic, ambiental, free improvisation, jazz and chamber music. He still works on music production, promotion of concerts and festivals of improvised music and also writing about music in magazines and blogs.
http://soundcloud.com/pauloxagas http://www.myspace.com/pauloxagas
http://zpoluras.bandcamp.com/ http://zpoluras.blogspot.com/
http://www.gaitasonhos.blogspot.com/ http://www.youtube.com/user/zpoluras
http://pimpampum.blogspot.com/
http://zpoluras.bandcamp.com/ http://zpoluras.blogspot.com/
http://www.gaitasonhos.blogspot.com/ http://www.youtube.com/user/zpoluras
http://pimpampum.blogspot.com/
S o n o r e F i c t i o n
Contemplator, multi influences musician (free-jazz, ethnic music, indie rock, concrete's music, minimal, blues...) involved for more than 15 years in many live projects so different as irish folk, afrocub conjunto, punk rock, and now behind BruitsNetlabel...
Looking for "art brut" signs all over my way for a long time, i try to compose ambient music as my first audio experience, without any theoric knowledge view point, but to feel free. all infos!
rss feed bruitsnetlabel releases
